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plus: We Review 100 Comic
Books You Must Read
I’ve been writing the Book Buzz column
for about 18 months now and this week is without a dout the lightest
release week I have ever seen. We have a few releases of interest
to genre fans but that’s about it. This is all in preparation
for next week…Black Friday…the traditional start to the Christmas
shopping season. Many retailers will even be rolling out deals
before Friday and next week promises to be a huge week.
Onto this week’s slight new releases…
X-Files (Wildstorm
Graphic Novel)
THE X-FILES lives on in this new collection
that serves as a "lost" season of the smash-hit TV series.
Mulder and Scully are sent to San Francisco to solve a string of murders,
then become targets of the Tong underworld and travel to the mysterious
Badlands to investigate a series of disappearances in this title collecting
THE X-FILES #0-6. The Astounding Wolf-Man Volume 3
Robert Kirkman (Image Comics)
When Gary Hampton is mauled and left
for dead, his life takes a drastic turn. Gary is cursed - when the moon
is full he transforms into a beast of the night - a werewolf. When his
life is torn apart, Gary Hampton must rebuild, but can he do so from
behind bars?
Star Trek: The Art of the Film by Mark
Cotta Vaz (Titan Books Hardcover)
Director J.J. Abrams’ new vision of
the greatest space adventure of all time, Star Trek features a young,
new crew venturing boldly where no man has gone before, as it tells
the story of how the brash Starfleet cadet James T. Kirk first meets
a Vulcan named Spock, and earns the Captain’s chair of the Starship
Enterprise. The film quickly became a critical and commercial smash
hit worldwide, as audiences — confirmed Trekkers and newcomers alike
— thrilled to a state-of-the-art action epic which both respected
the legacy of Gene Roddenberry’s archetypal modern myth and forged
ahead into an exciting future of its own.
Star Trek: The Art of the Film is a lavishly
illustrated celebration of that new vision, tracing the evolution of
the movie’s look through a stunning array of previously unseen pre-production
paintings, concept sketches, costume and set designs, unit photography
and final frames.
Clint Eastwood Icon:
The Ultimate Film Art Collection by David Frangioni (Insight Editions Hardcover)
Clint Eastwood is not only a man. He
is a nameless vigilante, a vengeful detective, a bare-knuckle boxer,
a Secret Service agent, and countless other definitive screen archetypes
now embedded in our shared pop-culture consciousness. However you define
him, Clint Eastwood has a powerful and extremely recognizable image
that exists as something beyond the narratives of his films.
Clint Eastwood ICON presents an unprecedented
collection of film art surrounding the legendary actor. This comprehensive
trove gathers together poster art, lobby cards, studio ads, and esoteric
film memorabilia from around the world. From his early roles as the
nameless gunslinger in Sergio Leone’s Spaghetti Westerns, to the vigilante
films of the 1970s and 1980s, through his directorial roles and latest
releases, Clint Eastwood ICON captures the powerful presence and quiet
intensity that turned Eastwood into the definitive American hero.
1,000 Comic Books You Must Read
Tony Isabella (Krause Hardcover)
The volume of stunning artistry and memorable
characters in this one-of-a-kind guide is staggering, and entices both
avid collectors and casual fans. Readers will find comic books from
various genres, produced between 1930 and the present, each represented
by its cover and background details including publisher, year of imprint,
series and issue numbers, intriguing story notes and the reason it was
chosen for this unique book.
Reviews
1,000 Comic Books You Must Read
by Tony Isabella (Krause Hardcover)
Longtime comic book writer and reviewer
Tony Isabella presents a gift for comic book fans…his picks for the
1000 comic books you must read. Now note that this isn’t necessarily
meant to be the greatest comics although certainly many would fall into
that category, or perhaps most important might even be more appropriate.
Isabella has segmented his book by decade beginning with the hero who
started it all, Superman, an continuing with a look at each decade leading
off with the 1940s and continuing to new Millennium.
A picture of each and everyone of the
thousand comics is included along with the issue #, artist and writer
credits, publisher, and date. Isabella then gives a one paragraph
note about why the issue was included in the book. The diversity
of titles is extraordinary! As comic fans we sometimes get wrapped
up too much into superhero titles. Comics, especially back in
the 1940s and 1950s were an incredible mixed bag: action, war, horror,
humor, detective, science fiction, romance, and westerns all enjoyed
their eras of popularity and they are well-represented in the book.
Yes the major issues are hit upon: .Marvel
Comics #1. Flash Comics #1, More Fun Comics #52 (the First Spectre),
Detective Comics #27, All-Star Comics #3…the key titles of the Golden
Age are all included. But what’s also included is the lesser
known books like Quality’s Police Comics #1; Jumbo Comics #48 with
its fabulous Sheena cover; Frankenstein Comics #1; and Santa Claus Funnies
in Four Color #128. I was especially pleased to see Isabella did
not overlook many of the great 50s and 60s humor comics like The Adventures
of Jerry Lewis and Bob Hope. Disney Comics are well represented
as well.
Could I argue on a few things with Isabella?
Sure..like how the new Millennium section gets a longer section than
the 70s, 80s, or 90s and the decade is not even over yet. Still,
the 60s gets it due justice as arguably the comic book industry’s
most important decade with fifty pages of content. Sure we can
say there’s books that should have been included. 1974 saw the
first appearances of two of Marvel’s most popular characters of the
past 25 years, The Punisher (Spiderman #129) and Wolverine (Hulk #180)
and neither are included. But hey, that’s what makes books like
this so fun.
Isabella even gives you tips on how you
can find these must reads. I’ll give you a tip , too, be a millionaire!
Grade A
Kull: The Shadow Kingdom (Dark
Horse Comics Graphic Novel)
The Shadow Kingdom was one of two original
Robert E. Howard Kull stories that were published in his lifetime, this
one in Weird Tales August, 1929. Howard’s other barbarian has
always been a bit of the red-headed stepchild when it comes to Howard’s
works. He’ll always take a back seat to Conan. The stories
were written earlier in Howard’s career and before he had truly developed
his style to perfection. Still Kull isn’t just an early draft
for Conan…While Kull’s world was not as developed as Conan’s Hyborian
Age milieu, Kull’s Thurian Age world was older and showed some early
influence of H.P. Lovecraft on Howard with old Gods and Howard’s Serpent
race would be utilized by both Lovecraft and Clark Ashton Smith in their
own stories.
The Shadow Kingdom is set just after
Kull has taken the throne of Valusia. Yet the usurper has many
enemies still plotting his downfall, not the least of which is the ancient
race of Serpent Men, thought extinct. The Serpent Men are able
to change their appearance to take on the guise of men and soon they
have infiltrated Kull’s court. Kull meets for the first time
his longtime companion and bodyguard, Brule the Spear-Slayer, a Pictish
warrior who aids Kull against the Serpent Men.
As Howard stories go, The Shadow Kingdom
is on the bland side. Again, Howard was only 23 when he wrote
the story is a bit short of plot although its paced well thanks to a
judicious amount of action scenes. Will Conrad’s art is very
strong, particularly his take on the Serpent Men. Kull is perhaps
on the lean side but why argue details. It’s great to see Kull
back in comics again. While he’ll never eclipse Conan, he has
a certain flair…a little more of a brooder and less emotional than
Conan. Grade B
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